The Portrayal of Omani Moral Values in Contemporary French Journalism

Abstract

This study aims to analyze the image of the Sultanate of Oman in contemporary French journalism, presenting it as a distinctive model grounded in a well-established ethical framework that goes beyond pragmatic calculations. The study identifies four main principles underlying this framework: the balance between authenticity and modernity, pride in national identity, value-based diplomacy, and tolerance. These principles are reflected in Oman’s maritime identity, its role as an international mediator, and its initiatives promoting tolerance. Despite the generally positive portrayal, the study reveals that French journalistic discourse does not overlook certain contradictions. These include the existence of strict regulation of religious affairs, the duality of religious discourse between the Grand Mufti and official state authorities, and the influence of local law on international justice, as illustrated by the French–Omani child custody case. The study further discusses representations of Oman that at times lack objectivity and demonstrate an insufficient understanding of the internal structures of the Islamic model. This analysis draws on Olivier Roy’s critique of Western approaches to interpreting and engaging with the Islamic world. At its core, the Omani model exemplifies Taha Abderrahmane’s concept of ethical modernity, offering a practical rejection of a Western modernist model that is detached from ethical foundations.